Posts Tagged ‘Bo Diddley’

Crocodiles Interview

Wednesday, May 5th, 2010

Crocodiles Interview via Stroll On

1. You guys have finished recording your new record now? When can we expect to hear some of the new material?

Brandon: We’ve finished tracking everything, but it all still needs to be mixed. We’ll have the first single ready soon and that should be out hopefully by mid June or something like that. As for the actual album – due to touring commitments, we won’t be able to mix it properly until probably July, so hopefully the album will be out by the fall.

Charles: Either on tour- there are 5 new songs in the set and we’ll be touring the uk beginning next week- or when our album comes out in August!

2. I’ve heard you being compared to bands like the Velvet Underground and Jesus & Mary Chain – but who do you think of as your influences and who are you currently listening to?

Brandon: Both those bands we would consider influences, particularly Velvet Underground. We listen to a lot of stuff but I think our actual songwriting, when you strip it down and just play it on guitar and sing, is mostly influenced by 60′s pop music and garage rock. We write those kinds of songs and then try to put it through a weirdo filter of all the other stuff we like; krautrock, suicide, dub, spacemen 3, early punk – all that stuff.

Charles: I think our influences change all the time, Brandon and I are always getting each other into cool stuff. German prog rock like Neu, Harmonia, and Cluster are always around, so is Frankie Valli and Bo Diddley and the Mamas and Papas and the Sex Pistols (of course)!

3. Does the recording process just involve the two of you? If so, how do you make the transition from studio to live show?

Brandon: Our friend Jon Greene has always been an integral part of recording. He’s produced everything we’ve done so far with us. James Ford produced the newest album, but Jon was with us engineering everything and we’ll be mixing the record ourselves with Jon. As far as instrumentation and tracking stuff, it’s 90% Charles and I but James Ford, Jon Greene and our touring organ player, Robin Eisenberg, have all contributed bits here and there. When we record we don’t really worry too much about how we’ll be able to replicate something live, we just try and get it too sound as interesting to us as it can. When we assemble a live band we try our best to match what we’ve recorded but part of the fun of it is changing it around so that it’s do-able live. It doesn’t always sound 100% the same as the recordings, but to us that makes it a lot more interesting.

Charles: It is mainly the two of us but we get by with a little help from our friends! Jon Greene is the “3rd Crocodile” and he produces most of our recordings and helps us attain a lot of great sounds- this process we call “screaming chrome”. When it comes time to work the songs into the live set, he helps us with that too- seeing as he is a very capable sound engineer as well. As of late, Robin Eisenberg, our touring keyboardist, has been playing on all of our recordings. She is an incredible talent and can nail whatever style of playing were looking for, plus she is one of the most enthusiastic people you’ll ever meet. While the writing will always remain Brandon and I’s thing, we are always happy to have great people around us helping to make something wicked.

4. There seems to be a very special scene in the US at the moment including bands like you guys, Best Coast, Woven Bones and Dum Dum Girls – there is a very communal feeling about it, how do you think this has come about?

Brandon: Over the past few years we’ve all just met each other through touring and playing shows. Me and Dee Dee from Dum Dum Girls have been married since before either of our bands have been around, so I’m not counting that obviously. But as far as Best Coast or Woven Bones go, we’ve just met them through playing together and mutual appreciation of what the other are doing. Same as everywhere else, there is an overwhelming amount of crappy music here. So when we find kindred spirits we try our best to make friends and engender a coalition.

Charles: It’s wicked! All of these bands, I’m sure get posed with this question a lot, can remember the early stages of their friend’s bands and now for instance a lot of us are playing Primavera this year. In 2008 when Crocs started touring and having 7″s released we played with our friends a lot, as we were all starting out. I’m sure there was a feeling that came across, I know I felt it when I saw them, (this includes Cold Cave and Reading Rainbow and Beaters) that we were all excited to be out of our towns, playing and having fun with likeminded people. I can’t really explain it. But its cool. And completely unforseen.

5. A recurring theme amongst a lot of the bands on the scene over the past couple of years is the DIY ethos. You yourselves tend to release a lot of one off singles with different indie labels. Is this independent / DIY ethos something you believe in?

Brandon: We’ve both been involved in punk since we were teenagers. It’s the culture we feel most a part of and at home in. Small labels and self releases are things that we are used to and comfortable with and it means a lot to us to be able to keep some semblance of control over what we are doing. Obviously there is a point where you need the money and assistance that only a bigger label can offer but we would never divorce ourselves from the culture that we feel a part of. And even when we’re working with bigger labels, I have a small label with Dee Dee so that we can release our friends bands and solo stuff.

Charles: Absolutely, no one’s gonna do you any favors especially when you’re brand new and no one knows who you are. Reverting back to your last question, all of these bands just started booking tours and releasing singles however means possible and eventually they worked hard enough and got somewhere and now they can steer the path a little more and give themselves more freedom to create whatever it is they see their music being.

6. Where do you see the band in 5 years?

Brandon: I don’t even know where we’ll be in 5 months

Charles: Hopefully releasing singles and albums and touring just like we are now!

http://www.myspace.com/crocodilescrocodilescrocodiles

An interview with Gaoler’s Daughter

Monday, February 15th, 2010

Q1: How and when did the band form?

Alfie: In the backstreets of south London

Ben: In early 2008 we started ‘jamming’ at ‘The Toilet Factory’, a squat in Camberwell on Sundays. Our first proper gig was on 28th June at The Wilmington Arms.

Q2: Your first EP came out at the end of 2009, what’s next?

Ben: The next EP ‘Alchemy’ is nearly ready and will be coming out in the spring. There’s talk of doing a Steve Lamacq session around that time too. In the meantime we’ll keep writing, rehearsing and gigging hard.

Alex: Alchemy is a lot more ‘us’, the sound of it is what we have been working towards, it has really come together on this EP.

Alfie: We’ve got loads of gigs coming up. We really want to play some festivals in the Summer too.

John: I want to play as many festivals as possible this summer, maybe get a little European jaunt together too.

Q3: The band play a lot of shows in the London area, do you plan to travel further afield?

Ben: Of course. It’s simply a question of finances. We can’t afford to underwrite our touring costs as we are all poor!

Alfie: We do have gigs coming up around the UK in March and April though and maybe even some in Europe too!

Alex: Yes, we have plans for Europe and hopefully New York in the near future. We would love to record out there as well as play gigs.

Q4: The lyrics of the songs are very poetic, where does the influence and inspiration come from?

Alfie: Books.

Ben: Ask John!

John: Most of my lyrics are introspective I suppose. I try to avoid the whole ‘we’re getting drunk on a Friday night’ kind of stuff. Maybe people relate to them, maybe they don’t, but writing is a lot cheaper than therapy! I read a fair bit too, as I think everyone in this band does, and it’s bound to have an effect on how I write. Rather than taking direct inspiration, I seem to reference certain books or poems, and use them to enhance the ideas I have.

Q5: Steve Lamacq appears to have picked up on the band, having played ‘Jumbo Jet’ on his show a few times. This must have been helpful?

Alex: It’s more than we could have hoped for, it’s come at a perfect time for us, just as we are in the flow of releasing stuff and getting used to recording with each other, it’s a good sign of things to come I think.

Ben: We’ll find out in time just how ‘helpful’ it’s been. It’s certainly good to know that he likes our music though.

Alfie: Lammo is a great ally to have, and he knows his music. The good thing about him is he plays what he likes, and is not governed by traditional radio playlist restrictions.

John: Every band wants to get on the radio, so from that point of view it’s great.

Q6: Shakespeare or The Smiths?

Ben: Why choose. They have both had a huge impact on me.

Alfie: We like Shakespeare’s music, the early stuff mind, he got a little bit wayward towards the end, and of course The Smiths wrote some smashing plays.

Q7: The band have a very distinctive sound, what are the individual band influences?

Ben: Thanks. We try not to think too much about influences when writing  songs. Whatever serves the melody and the moment is right. We never set out to write a song that sounds like this or that. We’re not that  cynical.

Alex: I love ‘80s indie: Echo And The Bunnymen, The Jesus And Mary Chain, The Smiths, but I’m a sucker for drum & bass, breaks, dub and dub step, these are the things I seem to be listening to a lot at the moment. We like to draw inspiration from all sorts of places, me and Alfie were listening to Disney songs last night……..

Alfie: Whatever serves the melody in that moment is right. We never set out to write a song that sounds like this or that. We’re not such cynical songwriters. As far as our individual influences go, I like Family, Curtis Mayfield, most things on the Motown label, not that Bruce Willis album though. “I didn’t like that one bit, apart from his shoes on the cover.”

Alex: …also Ian Dury and The Fall!

John: John Martyn, Dylan, Captain Beefheart, Kate Bush…

Q8: Alcohol or records?

Ben: Again, why choose. We spend most of our money unwisely. Let’s just  leave it at that.

Alex: I think that’s the hardest question I have ever been asked, they go hand in hand, don’t they?

Alfie: How can you choose between the two things that make wedding receptions worth going to?

Q9: Do the band have a political standpoint?

Ben: We don’t like to force our political beliefs down people’s throat. Our music is about escapism and enjoyment. We just live our way and lead by example.

Alex: I don’t personally, I’ve never been hot on politics.

John: I try not to get too involved in this kind of thing, especially regarding lyrics. I think I’ll leave that to people who know what they’re talking about. We are, after all, a band not the panel of Question time, and music, especially our music, is all about escapism rather than getting bogged down in things beyond our control.

Alfie: Get rid of Boris Johnson, he’s funny on ‘Have I Got News For You’ but that’s about it. If he gets rid of bendy buses, Alex wont be able to get to gigs!

Q10: Who would you most like to work with, in terms of a producer and musicians?

Ben: Bob Dylan, Neil Young, Captain Beefheart, Prince, Armand Van Helden.

Alex: Producer would be Rick Rubin, just to see what the hype is really about. I think Jack White would also be a good for me in the studio, trying out loads of guitar effects, nah actually, fuck it, Dr. Dre or RZA! Musician wise, that’s tough. Maybe Thom Yorke, I would love to know what goes through his head when he’s making music. The obvious ones for me would be Johnny Marr, I’m a big fan, maybe he’d be a good bet for a producer…

John: The m*therf***in’ D R E, and Quincy Jones. Plus Paul Tipler who’s very much into what we’re doing and has produced some great bands like Eighties Matchbox b-line Disaster.

Alfie: We would all love to work with up and coming producer Ben Bones, as most big name producers are normally judged on the amazing projects they worked on in the past when they were establishing themselves. Bones has a great career ahead of him, and we would love to be one of the great projects HE has worked on. Have always wanted to work with Snoop, standard.

Gaoler’s Daughter can be seen out and about – CLICK HERE for details

Jumbo Jet – from the EP ‘The Only Way To Travel’ is available through The Gaoler’s Daughter store HERE